![]() ![]() ![]() Coats developed tight choreography that had direct nods to the TV version, and the actors played well. The ensemble work was strong in this performance. Left to right: Alex Hunt as Rudolph and Ellie Smith as Clarice. Mounting a show that runs through the holidays is always a major undertaking and a sacrifice for performers, production staff and technical crew, and no details were neglected in matching the iconic look of the original claymation story. Miniscule details - down to the color of paint for Santa’s sled - had to be approved in order for Tuacahn to mount the show. ![]() ![]() While audiences may have forgiven deviations from the 1964 TV special that the play is based on, the stage production’s creators would not. In addition to being a great ball of energy that lifted the whole performance, DeBose masterfully travelled the stage with tiny penguin steps in an onerous Snowman costume that looked strikingly like the cartoon. Sam the Snowman, played by a jubilant Rendell DeBose, was a wonderful facilitator and had my 6-year-old son answering questions, singing along, and truly playing with the characters. One of the great joys of live theatre is the invitation for the audience to be present and involved with supporting the performers on stage. When director Alan Coats addressed the audience and spoke about his hope for audience members to engage, I was thrilled. On opening night at Tuacahn performances often feature warm welcomes from administrators and directors. ![]()
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